Working in Bad Weather
In my last post, I talked about how much I enjoy shooting in “bad” weather. In this post, I continue by explaining how to keep you and your gear warm and happy when you do.
In my last post, I talked about how much I enjoy shooting in “bad” weather. In this post, I continue by explaining how to keep you and your gear warm and happy when you do.
For Readers The resource directory is a way to connect you, our readers, with the best companies providing goods and services for photographers. To be clear, the listings in our…
Our clients range from the creative director who’s been doing this for 256 years to the marketing assistant who’s in their first job out of college. Sometimes the clients are from the creative industries (graphic design, advertising, marketing) other times the clients come directly from the food industry. In any case, everyone wants to know how we work. This narrative is based on a typical advertising or corporate shoot. Editorial(magazine) shoots work a bit differently. (more…)
I recently gave a photographic workshop along the San Mateo county coast (about 45 minutes south of San Francisco), and there were a few last minute cancellations. I suspect they’d checked the weather report, temperatures were expected to be in the high 40s with clouds and drizzle. It’s a pity these folks didn’t talk to me before cancelling, they missed out on some phenomenal photographic conditions. I knew better. Many of my favorite photographic images were taken under or at the edges of clouds, mists, fog or rain. While blue skies sell postcards, interesting photographs often require interesting light, and it’s emphasizing that lesson that’s the topic of this post.
If any of you are like me, you got into this business for one reason, to take photographs, to capture that special moment in time. And if you go back to the day of processing your own film and prints, you saw your photos come to life in a tray full of developer. But we are now tasked to learn a new method of image processing, the digital darkroom, and a new way to showcase our work, the internet, which brings me to my topic. (more…)
I guess we’ve all heard that line one time or another. It seems like every time you turn around there is another “Wedding Photographer” on the block willing to sell an all-day shoot and CD for two chickens and some homemade pie. Why should anyone pay you more money than him? What makes you worth it? (more…)